Changing views: Photography and Environmental Action > Forum
Changing Views: Photography and Environmental Action
September 27, 2013 | 10 am – 1 pm
Dome Room of the Rotunda
Lunch to follow at the OpenGrounds Corner Studio
Final Fridays Reception
September 27, 2013 | 5:30 – 7:30 pm
Fralin Museum of Art
The Changing Views forum brings together scholars and practitioners from multiple disciplines to address how representations of the environment influence ideas and attitudes toward conservation. In the process of examining the ways in which Ansel Adams’s work opened the door for successive generations of artists, and environmental activists, designers, and scientists, this forum will challenge and deepen our understanding of the environment. We will consider not only the pristine landscapes that have been conserved in our national parks, but also an array of marginalized and damaged sites, as well as the productive landscapes that people occupy today.
Finis Dunaway, a cultural philosopher from Trent University,
Artists Mike Osborne, whose work is featured in the “Looking at the New West” exhibit
Artist Terri Weifenbach,
Brian Richter, the Director of Global Freshwater Strategies for The Nature Conservancy,
Julie Bargmann, an internationally recognized landscape architect, designer, and UVa faculty member.
The discussion will focus on the connections between perception and action, and the complexity of multiple demands on the landscape.
Essays by Finis Dunaway, William Sherman, Brian Richter, Julie Bargmann
Co-Edited by William Sherman, William Wylie, and Lindsey Hepler
ISBN 978-0-9893995-0-0 University of Virginia
Available August 2013 $30
The OpenGrounds Forum publication complements and expands on the ideas presented by the forum participants, an impressive array of artists and scholars from diverse disciplines. Their essays, both verbal and visual, reflect upon the connections between perception and action.
Weaving together the personal experiences and professional work of its contributors, the publication explores the impact of representations of the landscape, and the ways in which these images can change the dynamics of our work, often opening our eyes to a new set of possibilities. The publication’s essays and images address abstract themes and unite them with concrete examples of the ways in which artists, scholars, and practitioners apply new perceptions and public understandings of the landscape to their own work.
To Order: Submit an order form by federal mail (please do not send via email) or call 434.243.4889
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Please note, we do not offer refunds. All sales are final.
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